Myth & Folklore
The Sandman And Europe's Sleep Bringers
European folklore populated sleep with figures who deliver it rather than disturb it, and the friendly Sandman known to American children was preceded by a considerably darker version.

Most folklore about the night concerns things that disturb sleep. A smaller tradition concerns figures whose work is to bring it, and the Sandman is the survivor of that group.
The figure and the grit
The Sandman is described as sprinkling sand into children's eyes to bring sleep, an explanation attached to the grit that collects in the corners of the eyes overnight.
That residue is ordinary: tears, mucus and shed cells that accumulate because blinking stops during sleep and drainage slows.
The story is a folk explanation of a real, daily observation, which is a common origin for figures of this kind.
The darker literary version
A well-known German story of the early nineteenth century presents a Sandman who throws sand into the eyes of children who will not sleep, so that their eyes fall out.
In that telling he collects the eyes and feeds them to his own offspring, and the tale is a horror story built around a child's terror of the nursery figure.
That story reached a wide readership, which is one reason the figure carried an ominous reputation in European writing well before the gentle American version took hold.
Related figures across Europe
Scandinavian tradition has a dream-bringing figure who carries umbrellas, opening a decorated one over children who behave and a plain one over those who do not.
Various regional figures appear in the same role, associated with evening, with the closing of the eyes, and with the arrival of sleep as something delivered from outside.
These stand apart from the far larger family of night figures that press, ride or suffocate sleepers, which is the folklore attached to sleep paralysis.
Why sleep bringers exist at all
Getting children to sleep is a nightly negotiation in every household, and a figure who arrives to close the eyes gives that negotiation an external authority.
The stories also explain sensations children actually experience, including heavy eyelids and the eye residue found on waking.
Both functions favor a figure who is mildly threatening, since the entirely benign version has less leverage at bedtime.
How the American version got friendly
Twentieth-century songs, cartoons and advertising rendered the figure as a benign dream-deliverer, and the older material largely dropped out of circulation.
The same softening happened to other nursery figures, and the process is well documented in the history of children's publishing.
What remains is a familiar name attached to a substantially rewritten character, with the original tale surviving mainly among readers of nineteenth-century European fiction.
Also by Priya Raghunath
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